Destino, Spanish for Destiny




At first, surrealism and popular culture would appear to be oil and water, but in my opinion, the two would be a dynamite combination for art. Surrealism mines dreams and the unconscious, while on the other hand; popular culture is concerned with surface and commonplaces. With the advancement and accessibility to modern technology, the two have been brought together to prove that high and low can be related.
The magical world of Disney has been the ultimate form of escapism for our generation, likewise for those before and after us for years to come. It has become embedded within our culture, from film to literature to art. Yet what has been kept a slight secret is that surrealism and Disney has become an item for our entertainment.
‘Destino’, is a collaborated short film created by Salvador Dali, a Spanish surrealist painter and Walt Disney, an American animator in 1946 and released in 2003. The film combines classic animation techniques with an added touch of magical surrealism. It tells the story of Chronos, the personification of time and the inability to realise his desire to love. The scenes of the film blend a series of surreal paintings by Dali while using a new animation technique that is equivalent to the ‘paranoid critique’ of Dali – the method inspired by the work of Sigmund Freud on the subconscious and the inclusion of hidden and double images.
Salvador Dali describes the film has ‘a magical display of the problem of life in the labyrinth of time’ whereas Walt Disney has said it was ‘a simple story about a young girl in search of true love.’ A contrast of ideas about the film by the two creators signify the highlighted differences of surrealism and popular culture, but together make a great work of art.

- Written by Elizabeth Phan



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